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The Future. A Discussion chaired by Dr. Marquard Smith. With Tom Corby, Benjamin Noys, Kester Rattenbury, John Timberlake and David Cunningham (5 Nov 2009)

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    A discussion chaired by Dr. Marquard Smith with Tom Corby, Benjamin Noys, Kester Rattenbury, John Timberlake and David Cunningham.

    Tom Corby is an artist and writer whose research is concerned with relocating digital imaging processes within wider aesthetic and social frameworks. He is the deputy Director of CREAM and coordinates the digital art research cluster in the school of arts and media. His experimental digital artworks (produced in collaboration with Gavin Baily) have been internationally exhibited and have won numerous awards,

    Benjamin Noys is Reader in English Literature at the University of Chichester. He is author of, among other works, The Culture of Death (2005) and Georges Bataille: A Critical Introduction (2000), and is a member of the editorial board of the journal Film-Philosophy. He is currently writing on accelerationism and has a forthcoming book entitled The Persistence of the Negative due in 2010.

    Kester Rattenbury is an architectural journalist, critic and writer, whose many publications include the edited collection This is Not Architecture. She is a consulting editor for the Architects Journal, series editor for the SuperCrit series with Routledge, and leads the ExP research group at the University of Westminster.

    John Timberlake is a photographer and writer, who also leads the BA in Fine Art at Middlesex University. He has exhibited widely in Europe and North America and is an alumnus of the Whitney Museum of American Art Independent Study Programme. A former editor of Everything Magazine, his most recent publication is the book Bussard Ramjet (Artwords 2008) and he is currently exhibiting work at the Pittoresk: Neue Perspektiven auf das Landschaftsbild group show at MARTa in Germany.

    David Cunningham is Principal Lecturer and Deputy Director of the Institute for Modern and Contemporary Culture at the University of Westminster. He is an editor of the journal Radical Philosophy, co-editor of the book Photography and Literature in the Twentieth Century (2005), and has published widely on modernism, aesthetics, architectural theory and urbanism. He is currently completing a book entitled Reflexes of the Future: Essays on the Avant-Garde.

    An event organized with The Institute for Modern and Contemporary Culture at University of Westminster.