Sarah Lucas, Grace, 2006 more

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On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Louise Bourgeois, ECHO VIII, 2007 more

< 2 / 14 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Rebecca Warren, TLGEIAFDP, 2005 more

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On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Sarah Lucas, Nduda, 2013 more

< 4 / 14 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Rebecca Warren, TLGEIAFDP, 2005 more

< 5 / 14 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
John Latham, Red, Green and Yellow, 1967 more

< 6 / 14 >

On loan to the exhibition A World View: John Latham at Serpentine Gallery, London,1 Mar – 21 May 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Luke Hayes
John Latham, Red, Green and Yellow, 1967 more

< 7 / 14 >

On loan to the exhibition A World View: John Latham at Serpentine Gallery, London,1 Mar – 21 May 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Luke Hayes
John Latham, Red, Green and Yellow, 1967 more

< 8 / 14 >

On loan to the exhibition A World View: John Latham at Serpentine Gallery, London,1 Mar – 21 May 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Luke Hayes
Caroline Achaintre, She-Balls, 2011 more

< 9 / 14 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Caroline Achaintre, She-Balls, 2011 more

< 10 / 14 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Caroline Achaintre, She-Balls, 2011 more

< 11 / 14 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Caroline Achaintre, She-Balls, 2011 more

< 12 / 14 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Santiago Sierra, 21 Anthropometric Moduls Made From Human Faeces by The People Of Sulabh International, India, 2005-6 more

< 13 / 14 >

On loan to the exhibition Santiago Sierra MEA CULPA, at PAC, Milan, Italy, 28 Mar – 4 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Masiar Pasquali.
Santiago Sierra, 21 Anthropometric Moduls Made From Human Faeces by The People Of Sulabh International, India, 2005-6 more

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On loan to the exhibition Santiago Sierra MEA CULPA, at PAC, Milan, Italy, 28 Mar – 4 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Masiar Pasquali.

David Roberts Collection is an evolving archive of forms and concepts. Works from the Collection are regularly exhibited at DRAF or internationally within exhibitions at other institutions.

For any loan queries, please contact nicoletta@davidrobertsartfoundation.com

01 Loans policy

Works from the Collection can be loaned to institutions in the UK and internationally, subject to the following conditions:

The Borrower must confirm agreement from the artist, or their Estate, prior to requesting a loan. We will not lend a work to a third party without the artist’s consent.
Formal loan requests should be made in writing to the Chief Curator. Requests should be made as far in advance as possible, with a minimum of six weeks’ notice.
Our policy is not to lend to commercial exhibitions or exhibitions in commercial spaces.
The work will not be released until completed and signed loan forms together and insurance certificates have been received by the Chief Curator.
The Borrower is responsible for insuring all loaned works door to door.
There is an administration fee for all loans, to be paid prior to transportation.
Condition reports must be completed in English upon unpacking and repacking the work.
For certain works, we may ask the Borrower to pay for any display requirements (framing, glazing, plinths), crates and packaging or courier’s expenses.