Simon Starling, Project for a Masquerade (Hiroshima): Ushiwaka/Atom Piece, 2010 and William Turnball, Horse I, 2000 (installation view) more

< 1 / 38 >

On loan to the exhibition BRONZE AGE c. 3500 BC – AD 2018 at Firstsite, Colchester, 17 Mar - 28 Oct 2018.
Courtesy the artists and David Roberts Collection, London. Photo: Douglas Atfield
Simon Starling, Project for a Masquerade (Hiroshima): Ushiwaka/Atom Piece, 2010 and William Turnball, Horse I, 2000 (installation view) more

< 2 / 38 >

On loan to the exhibition BRONZE AGE c. 3500 BC – AD 2018 at Firstsite, Colchester, 17 Mar - 28 Oct 2018.
Courtesy the artists and David Roberts Collection, London. Photo: Douglas Atfield
Ricky Swallow, Standing Mask (soot), 2010 (installation view) more

< 3 / 38 >

On loan to the exhibition BRONZE AGE c. 3500 BC – AD 2018 at Firstsite, Colchester, 17 Mar - 28 Oct 2018.
Courtesy the artist and David Roberts Collection, London. Photo: Douglas Atfield
William Turnbull, Horse I, 2000 more

< 4 / 38 >

Courtesy the artist and David Roberts Collection, London.
Simon Starling, Project for a Masquerade (Hiroshima): Ushiwaka/Atom Piece, 2010 more

< 5 / 38 >

Courtesy the artist and David Roberts Collection, London.
Ricky Swallow, Standing Mask (soot), 2010 more

< 6 / 38 >

Courtesy the artist and David Roberts Collection, London.
Danh Vo, Shove it up your ass, you faggot!, 2015 more

< 7 / 38 >

On loan to the exhibition Danh Vo: Take My Breath Away at Solomon R. Guggenheim Museum, New York, 9 Feb –9 May 2018.
Courtesy the artist and David Roberts Collection, London. Photo: David Heald
Danh Vo, Shove it up your ass, you faggot!, 2015 more

< 8 / 38 >

On loan to the exhibition Danh Vo: Take My Breath Away at Solomon R. Guggenheim Museum, New York, 9 Feb –9 May 2018.
Courtesy the artist and David Roberts Collection, London. Photo: David Heald
Rodney Graham, Basement Camera Shop circa 1937, 2011 more

< 9 / 38 >

Courtesy the artist and David Roberts Collection, London.
Rodney Graham, Basement Camera Shop circa 1937, 2011 more

< 10 / 38 >

On loan to the exhibition That's Not Me at IMMA, Dublin, Ireland, 24 Nov 2017 – 18 Feb 2018.
Courtesy the artist and David Roberts Collection, London.
Erin Shirreff, Signature, 2011 more

< 11 / 38 >

On loan to the exhibition Slow Objects at The Common Guild, Glasgow, UK, 14 Oct – 17 Dec 2017.
Courtesy the artist and David Roberts Collection, London.
Erin Shirreff, Signature, 2011 more

< 12 / 38 >

On loan to the exhibition Slow Objects at The Common Guild, Glasgow, UK, 14 Oct – 17 Dec 2017.
Courtesy the artist and David Roberts Collection, London.
Susan Collis, Bespoke, 2012 (centre) more

< 13 / 38 >

On loan to the exhibition Susan Collis: When we loved you best of all at Touchstones Rochdale, UK, 29 Jul – 30 Sept 2017.
Courtesy the artist and David Roberts Collection, London.
Susan Collis, Bespoke, 2012 more

< 14 / 38 >

On loan to the exhibition Susan Collis: When we loved you best of all at Touchstones Rochdale, UK, 29 Jul – 30 Sept 2017.
Courtesy the artist and David Roberts Collection, London.
Susan Collis, Bespoke, 2012 (detail) more

< 15 / 38 >

On loan to the exhibition Susan Collis: When we loved you best of all at Touchstones Rochdale, UK, 29 Jul – 30 Sept 2017.
Courtesy the artist and David Roberts Collection, London.
Susan Collis, Bespoke, 2012 (detail) more

< 16 / 38 >

On loan to the exhibition Susan Collis: When we loved you best of all at Touchstones Rochdale, UK, 29 Jul – 30 Sept 2017.
Courtesy the artist and David Roberts Collection, London.
Howard Hodgkin, The Sea, Goa, 2013 more

< 17 / 38 >

Courtesy the estate of the artist and David Roberts Collection, London
Howard Hodgkin, The Sea, Goa, 2013 (second from right) more

< 18 / 38 >

On loan to Howard Hodgkin. Painting India, 29 Jun - 8 Oct 2017, The Hepworth Wakefield. Courtesy the estate of the artist and David Roberts Collection, London. Photo: Stuart Whipps
Howard Hodgkin, The Sea, Goa, 2013 (right) more

< 19 / 38 >

On loan to Howard Hodgkin. Painting India, 29 Jun - 8 Oct 2017, The Hepworth Wakefield. Courtesy the estate of the artist and David Roberts Collection, London. Photo: Stuart Whipps
Eduardo Paolozzi, Tottenham Court Road Underground Station Mosaic Study, 1981 more

< 20 / 38 >

Courtesy the estate of the artist and David Roberts Collection, London.
Eduardo Paolozzi, Tottenham Court Road Underground Station Mosaic Study, 1981 (far right) more

< 21 / 38 >

On loan to the exhibition Art at Velocity. Eduardo Paolozzi and Lance Wyman, at Bloomberg Space, London, 15 May - 5 Aug 2017. Courtesy the estate of the artist and David Roberts Collection, London. Photo: David Morgan
Gavin Turk, Nomad, 2002 more

< 22 / 38 >

On loan to the exhibition Elizabeth Price Curates: In a Dream You Saw a Way to Survive and You Were Full of Joy at the Whitworth Museum, Manchester, 11 Jun – 23 Oct 2016, De La Warr Pavillion, Bexhill on Sea, 23 Jan – 30 Apr 2017,
Glynn Vivian Art Gallery, Swansea, 13 May – 31 Aug 2017. Photo: Nigel Green
Sarah Lucas, Grace, 2006 more

< 23 / 38 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Louise Bourgeois, ECHO VIII, 2007 more

< 24 / 38 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Rebecca Warren, TLGEIAFDP, 2005 more

< 25 / 38 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Sarah Lucas, Nduda, 2013 more

< 26 / 38 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Rebecca Warren, TLGEIAFDP, 2005 more

< 27 / 38 >

On loan to the exhibition Disobedient Bodies: JW Anderson curates the Hepworth Wakefield at the Hepworth Wakefield, UK, 18 Mar – 18 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Lewis Ronald
Rodney Graham, Basement Camera Shop circa 1937, 2011 (left) more

< 28 / 38 >

On loan to the exhibition Rodney Graham: That’s Not Me at BALTIC Centre for Contemporary Art, Gateshead, 11 Mar – 11 Jun 2017. Courtesy the artist and David Roberts Collection, London. Photo: John McKenzie
John Latham, Red, Green and Yellow, 1967 more

< 29 / 38 >

On loan to the exhibition A World View: John Latham at Serpentine Gallery, London,1 Mar – 21 May 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Luke Hayes
John Latham, Red, Green and Yellow, 1967 more

< 30 / 38 >

On loan to the exhibition A World View: John Latham at Serpentine Gallery, London,1 Mar – 21 May 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Luke Hayes
John Latham, Red, Green and Yellow, 1967 more

< 31 / 38 >

On loan to the exhibition A World View: John Latham at Serpentine Gallery, London,1 Mar – 21 May 2017.
Courtesy the estate of the artist and David Roberts Collection, London.
Photo: Luke Hayes
Caroline Achaintre, She-Balls, 2011 more

< 32 / 38 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Caroline Achaintre, She-Balls, 2011 more

< 33 / 38 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Caroline Achaintre, She-Balls, 2011 more

< 34 / 38 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Caroline Achaintre, She-Balls, 2011 more

< 35 / 38 >

On loan to the exhibition Caroline Achaintre at FRAC Champagne-Ardenne (Reims), France, 21 Jan – 23 Apr 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Martin Argyroglo.
Santiago Sierra, 21 Anthropometric Moduls Made From Human Faeces by The People Of Sulabh International, India, 2005-6 more

< 36 / 38 >

On loan to the exhibition Santiago Sierra MEA CULPA, at PAC, Milan, Italy, 28 Mar – 4 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Masiar Pasquali.
Santiago Sierra, 21 Anthropometric Moduls Made From Human Faeces by The People Of Sulabh International, India, 2005-6 more

< 37 / 38 >

On loan to the exhibition Santiago Sierra MEA CULPA, at PAC, Milan, Italy, 28 Mar – 4 Jun 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Masiar Pasquali.
Rodney Graham, Canadian Humourist, 2012 (right) more

< 38 / 38 >

On loan with Rodney Graham, Sunday Sun, 1937, 2012 (centre) to the exhibition Rodney Graham: Canadian Impressionist, at Canada House, London, 10 Mar – 27 May 2017.
Courtesy the artist and David Roberts Collection, London.
Photo: Jack Hems

David Roberts Collection is an evolving archive of forms and concepts. Works from the Collection are regularly exhibited at DRAF or internationally within exhibitions at other institutions.

For any loan queries, please contact olivia@davidrobertsartfoundation.com

01 Loans policy

Works from the Collection can be loaned to institutions in the UK and internationally, subject to the following conditions:

The Borrower must confirm agreement from the artist, or their Estate, prior to requesting a loan. We will not lend a work to a third party without the artist’s consent.
Formal loan requests should be made in writing to the Chief Curator. Requests should be made as far in advance as possible, with a minimum of six weeks’ notice.
Our policy is not to lend to commercial exhibitions or exhibitions in commercial spaces.
The work will not be released until loan forms are completed and signed, facility reports approved and insurance certificates have been received by the Chief Curator.
The Borrower is responsible for insuring all loaned works nail to nail; that is whilst artworks are in transit to and from the borrowing venue, in storage, during installation and de-installation.
Condition reports, with digital photographs, must be completed in English upon unpacking and repacking the artwork.
For certain works, we may ask the Borrower to pay for any display requirements (framing, glazing, plinths), crates and packaging or courier’s expenses. These requirements will be agreed in advance.
Digital installation images, copies of any published materials and press coverage, and audience figures are kindly requested.
There is an administration fee for all loans, confirmed upon agreement, to be paid prior to transportation.

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