DRAF Studies are a series of focused case-studies of works from the David Roberts Collection. Each presentation centres on a single work. DRAF invites a writer to study the work in depth, from its technical and material history to its position in the artist’s practice and contemporary debates.
- Study #22. Trilogy (1) Silence cannot do away with things that language cannot state, (2) waiting is an enchantment, (3) In Praise of tears, Rachel Kneebone by Yates Norton
- Study #21. Untitled, Michael E. Smith by Ned McConnell
- Study #20. 4725, 4274 and untitled, Horst Ademeit by Rosanna McLaughlin
- Study #19. Rich and Poor, Jim Goldberg by Kojo Abudu
- Study #18. Cosmic Flares III, Liliane Lijn by Amy Budd
- Study #17. 250 x 700 x 455, Ø 41 x 41/ZOO/T, Miroslaw Balka by Marlies Augustijn
- Study #16. What is Love, Huma Bhabha by Barbara Casavecchia
- Study #15. Untitled (The Ninth Resort), Charles Avery by Tom Morton
- Study #14. Oh Mystery Girl 3, Rosemarie Trockel by Matthew McLean
- Study #13. Every Word Unmade, Fiona Banner by Emily King
- Study #12. Drive, Philip Guston by Craig Burnett
- Study #11. xWSy7z, Andreas Slominski by Matthew McLean
- Study #10. Independence Plaza, Ida Applebroog by Hannah Black
- Study #9. Untitled, Etel Adnan by Harry Burke
- Study #8. Monument Stalagmite/P.T.A.C., Sterling Ruby by Alessandro Rabottini
- Study #7. Wallpaper – Tangier, Yto Barrada
- Study #6. Michael Simpson by Barry Schwabsky
- Study #5. Study of Shattered Red Tiles with Old Bricks and Decaying Wood, Boyle Family by Sandra Pusterhofer
- Study #4. Eyes, Martin Boyce by Steven Cairns
- Study #3. Pose Piece For Three Plinths Work, Bruce McLean by Sandra Pusterhofer
- Study #2. Machine Gun and Figure, Carol Bove by Nicoletta Lambertucci
- Study #1. Senza Titolo (Dopo la strage degli innocenti, Anonimo, verso 1400), Victor Man